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Petra
Innsbruck, ich muss dich lassen, Heinrich Isaac
Petra
1:16 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 7 0 1 5 100%
Bass Bass 10 0 1 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 7 0 1 5 100%
Bass Bass 10 0 1 4 100%
Soprano Treble 6 0 0 5 100%
Tenor Treble 7 0 0 5 100%
 
Kantatenzyklus "Die Tageszeiten", Chor "Der Mittag", Georg Phillip Telemann
Petra
1:31 Est. Play
Time
31 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 9 0 1 5 100%
Bass Bass 12 0 2 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 9 0 1 5 100%
Bass Bass 12 0 2 3 100%
Soprano Treble 13 2 2 3 100%
Tenor Treble 10 0 1 3 100%
 
Erbarme dich, mein Gott aus der Matthäuspassion, BWV 244, Nr.39, J. S. Bach
Petra
6:14 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 28 0 10 8 100%
Violoncello Bass 25 0 8 3 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 28 0 10 8 100%
Violoncello Bass 25 0 8 3 100%
Violas 22 0 8 4 98%
Violins
1		 Treble 19 0 6 7 98%
Violins
2		 Treble 22 0 9 4 98%
Alto Treble 17 0 6 7 75%
 
BWV150.4
Petra
1:32 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bass Bass 17 0 6 7 100%
BC Bass 20 0 6 7 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bass Bass 17 0 6 7 100%
BC Bass 20 0 6 7 100%
Tenor Treble 16 0 4 7 100%
Alt Treble 15 0 6 7 97%
Sopran Treble 12 0 3 7 97%
 
Kantatenzyklus "Die Tageszeiten", Chor "Der Abend", Georg Phillip Telemann
Petra
1:47 Est. Play
Time
55 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 16 6 4 4 100%
Alto Treble 13 0 4 4 94%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 16 6 4 4 100%
Alto Treble 13 0 4 4 94%
Tenor Treble 15 0 4 3 89%
Bass Bass 15 0 5 5 80%
 
Hine Ma Tov
Petra
0:48 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 8 0 0 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 8 0 0 3 100%
 
Limportant_c'est_la_rose
Petra
0:48 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alt Treble 11 0 0 5 100%
Sopran Treble 10 0 1 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alt Treble 11 0 0 5 100%
Sopran Treble 10 0 1 4 100%
 
Music for a while
Petra
3:22 Est. Play
Time
38 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 16 5 4 7 90%
Bass 20 1 5 2 100%
Alto Treble 12 0 3 9 92%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 16 5 4 7 90%
Bass 20 1 5 2 100%
Alto Treble 12 0 3 9 92%
 
Gluck - Che faro senza Euridice
Petra
2:19 Est. Play
Time
71 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo,
Strings		 Treble 16 42 3 6 97%
Bass 19 6 4 4 96%
Alt,
Soprano		 Treble 16 0 4 6 83%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo,
Strings		 Treble 16 42 3 6 97%
Bass 19 6 4 4 96%
Alt,
Soprano		 Treble 16 0 4 6 83%
 
Sento in seno
Petra
2:03 Est. Play
Time
80 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 21 50 6 4 98%
Bass 17 0 1 3 99%
Voice Treble 13 0 4 7 60%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 21 50 6 4 98%
Bass 17 0 1 3 99%
Voice Treble 13 0 4 7 60%
 
Come come let us drink
Petra
1:12 Est. Play
Time
37 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 0 4 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 0 4 4 100%
 
die Strahlen der Sonne
Petra
0:12 Est. Play
Time
6 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 10 0 0 5 100%
Klavier Treble 14 9 0 4 100%
Bass 8 4 0 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 10 0 0 5 100%
Klavier Treble 14 9 0 4 100%
Bass 8 4 0 4 100%
 
Meister, wir haben die ganze Nacht gearbeitet
Petra
1:32 Est. Play
Time
46 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Bass 10 0 2 6 100%
Alt Treble 12 0 2 8 93%
Bass Bass 16 0 5 7 87%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Bass 10 0 2 6 100%
Alt Treble 12 0 2 8 93%
Bass Bass 16 0 5 7 87%